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Music occupation

LITERATURE REVIEW New study confirming correlation between background music and work performance

Shih YN, Huang RH, Chiang HS

Department of Occupational Therapy, College of Medicine, Fu Jen Catholic University, Xinzhuang City, Taipei County, Taiwan. 062161@mail.fju.edu.tw

Correlation between work concentration level and background music: a pilot study. Work. 2009; 33(3):329-33.

Abstract

It is a common phenomenon for office workers {to listen to music} while executing daily routines at their desks. The aim of this study was to investigate the correlation between work concentration level and background music. This research would first follow examples in previous researches, and then explore the influence of background music on participants' scores on attention tests. We hope to gain a preliminary understanding of the possible influence of background music on people's focus and concentration when doing work. Thirty-two college students were separated into three controlled groups; all were given the attention test. Group [a] listened to background music while being tested for 10 minutes; group [b] had no background music at all; and group [c] listened to the music for 10 minutes prior to the attention test. The test was conducted in a "noise free" environment. The means and error rates for each group were then calculated. The findings showed that, in comparison with "no music at all", those who listened to music prior to testing obtained higher scores in attentiveness (most probably a supplemental effect of the music), whereas those who listened to music during attention test showed extremely high level of variation in attention test scoring. Background music does affect people's job-site behavior. In fact, all three test conditions - no background music at all, background music before the work shift, and background music during work - have affected worker performance on different levels.

MUSIC AS OCCUPATIONAL PERFORMANCE

Music has been explored as a form of occupational performance within occupational therapy and occupational science literature. The term 'occupation' includes roles and participation in activities that are part of everyday living, both within and outside of paid employment. Music occupation is part of people's work, play, rest, recreation, and social roles across the age span.

Occupational therapists have a responsibility towards the enactment of occupation as a human right (World Federation of Occupational Therapists, 2006) because “everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits” (Article 27, Universal Declaration of Human Rights, United Nations, 1948). Community membership or citizenship is enabled through applying occupational justice principles not only in our work places, but in our daily lives.

Firstly some definitions, then a  list of articles that are relevant to music occupation.

 

DEFINITIONS
 
Excerpt from Frank & Zemke in Pollard, N, Sakellariou, D and Kronenberg, F (2009) A political practice of occupational therapy, pp.111-112. Elsevier: Edinburgh.

Occupations: In occupational therapy, occupations refer to the everyday activities that people do as individuals, in families and with communities to occupy time and bring meaning and purpose to life. Occupations include things people need to, want to and are expected to do (Approved by World Federation of Occupational Therapists Executive, July 2007).

 
Occupational therapy is based on the belief that the need to engage in occupation is innate and is related to survival, health, well-being, and life satisfaction. Occupational therapy, therefore, is a profession whose focus is on enabling a person (i.e. Individual client) or group of persons (i.e. group, community or an organisation client) to access and participate in activities that are meaningful, purposeful, and relevant to their lives, roles and sense of well-being’ (American Occupational Therapy Association Statement on Practice 2000, p. 3).
 
Occupational injustices exist when participation is barred, confined, segregated, prohibited, undeveloped, disrupted, alienated, marginalised, exploited or otherwise devalued (Townsend & Whiteford 2005, p. 112).
 
Occupational apartheid is:
The segregation of groups of people through the restriction or denial of access to dignified and meaningful participation in occupations of daily life on the basis of race, colour, disability, national origin, age, gender, sexual preference, religion, political beliefs, status in society, or other characteristics. Occasioned by political forces, its systematic and pervasive social, cultural, and economic consequences jeopardise health and well being as experienced by individuals, communities, and societies (Kronenberg & Pollard 2005, p. 67).
 
 
USE OF MUSIC IN OCCUPATIONAL THERAPY
 
References

Allen, A. & Peppers, S. (1988) Use of a therapeutic choir as an agent for change in patients. American Journal of Occupational Therapy: Mental Health Special Interest Section Newsletter, 11(1), 2-3.

Bennett, S.L. & Maas, F. (1988) The effect of music-based life review on the life satisfaction and ego integrity of elderly people. British Journal of Occupational Therapy, 51(12), 433-436.

Bernard, A. (1992). The use of music as purposeful activity: A preliminary investigation. Physical & Occupational Therapy in Geriatrics, 10(3), 35-45.

Buckbinder, L. (2007) Let the music play. OT Practice, Mar 5, 12(4), 11-16.

Cameron, T.M. (1992) Music perhaps best used by music teachers. The American Journal of Occupational Therapy, Oct, 46(10), 955.

Casby, J.A. & Holm, M.B. (1994) The effect of music on repetitive disruptive vocalizations of persons with dementia. American Journal of Occupational Therapy, 48, 883-889.

Cottrell R.P.F., Gallant, K. (2003) The elders drum project: Enhancing quality of life for long-term care residents. Physical & Occupational Therapy in Geriatrics, 22(2), 57-79.

Craig, D.G. (2008) An overview of evidence-based support for the therapeutic use of music in occupational therapy. Occupational Therapy in Health Care, 22(1), pp. 73-95

Ferguson, S. & Voll, K. (2008) Burn pain and anxiety: The use of music relaxation during rehabilitation. The Journal of Burn Care and Rehabilitation, 25(1), 8-14.

Frick, S. & Hacker, C. (2001) Listening with the whole body. Madison, Wl: Vital Sounds Inc. Further details at the Vital Links website
http://www.vitallinks.net/index.shtml

Griffiths, S. & Corr, S. (2007) The use of creative activities with people with mental health problems: A survey of occupational therapists. British Journal of Occupational Therapy, Mar, 70(3), 107-114.

Gutman, S.A. & Schlinder, V.P. (2007) The neurological basis of occupation. Occupational Therapy International, 14(2), 77-85.

Hall, L. & Case-Smith, J. (2007) The effect of sound-based intervention on children with sensory processing disorders and visual-motor delays. The American Journal of Occupational Therapy, 61(2), 209-215.

Justice, R.W. (1993) Even background music can affect listeners. The American Journal of Occupational Therapy, Mar, 47(3), 268.

Koomar, J., Burpee, J.D., DeJean, V., Frick S., Kawar, M.J. & Fischer D.M. Theoretical and clinical perspectives on the Interactive Metronome: a view from occupational therapy practice. American Journal of Occupational Therapy 2001;55(2):163-166.

Lamb, B. (2003) Can you hear me? Occupational Therapy Now, May-Jun, 5(3), 21-23.

Lee, B. & Nantais, T. (1996). Use of electronic music as a occupational therapy modality in spinal cord injury rehabilitation: An occupational performance model. American Journal of Occupational Therapy, 50(5), 362-369.

Ma, H., Hwang, W., Lin, K. (2009) The effects of two different auditory stimuli on functional arm movement in person's with Parkinson's disease: A dual-task paradign. Clinical Rehabilitation. Mar, 23(3), 229-237.

MacDonald, R.A. & O'Donnell, P.J. (1994) An investigation into the effects of structured music workshops with adults with mental handicap. Occupational Therapy International, 1(3), 184-197.

Mangine, D., Maurer, P.A., Nelson, C., & Bauer, D.F. (1993). Effects of music on subjective reports of pain in a work hardening program, Work 3(3), 42-52.

Minato M., Zemke R. (2004) Time use of people with schizophrenia living in the community. Occupational Therapy International, 11(3), 177-191.

Neugebauer, C.T. (2008) Effects of a 12-week rehabilitation program with music and exercise groups on range of motion in young children with severe burns. J Burn Care Res, Nov-Dec; 29(6), 939-48.

Nordenbrock, R.A. (1995). Effects of music on motor performance of individuals with Parkinson's disease during instrumental activities of daily living. Unpublished Master's thesis. Rush University. Ann Arbor, MI.

Nurit W., Michal, A. (2003) Rest: A qualitative exploration of the phenomenon. Occupational Therapy International, 10 (4), 227-238.

Nwora, A. & Gee, B. (2009) A case study of a five year old child with pervasive developmental disorder - not otherwise specified using sound-based interventions. Occupational Therapy International. 16(1),25-43.

Orloff, S.S. (2007) Ask the therapists. Starting a social program for teens with autism. Exceptional Parent, Jul, 37(7), 101.

Paul, S. & Ramsey, D. (1988). The effects of electronic music-making as therapeutic activity for improving upper-extremity active range of motion. Occupational Therapy International, 5(3), 223-237.

Pyman T. & Rugg S. (2006) Participating in a community theatre prodution: A dramatherapeutic perspective. International Journal of Therapy & Rehabilitation, Dec, 13(12), 562-571.

Shaffer, R.J., Jacokes, L.E., Cassily, J.F., Greenspan, S.I., Tuchman, R.F. & Stemmer, P.J., Jr. Effect of interactive metronome training on children with ADHD. American Journal of  Occupational Therapy.  2001;55(2):155-162.

Sixsmith A. & Gibson G.  (2007) Music and well-being of people with dementia. Ageing and Society. Jan, 27(1), 127-146.

Staal J., Pinkney L. & Roane D. (2003) Assessment of stimulus preferences in multisensory environment therapy for older people with dementia. The British Journal of Occupational Therapy, 66(12), 542-550.

Stanley P. & Ramsey, D. (1998) The effects of electronic music-making as a therapeutic activity for improving upper extremity active range of motion. Occupational Therapy International, 5(3), 223-237.

Tam, C., Schwellnus, H., Eaton, C., Hamdani, Y., Lamont, A. & Chau T. (2007) Movement-to-music computer technology: A developmental play experience for children with severe physical disabilities. Occupational Therapy International, 14(2), 99-112.

Yancosek, K. (2007) One-handed backpacks: WRAMC occupational therapists stuff packs with useful items...Walter Reed Army Medical Centre. InMotion, Nov-Dec, 17(7), 33-34.

OCCUPATIONAL THERAPY: PERFORMANCE HEALTH OF MUSICIANS

References

Barton, R., Killian, C., Bushee, M., Callen, J., Cupp, T., Ochs, B., Sharp, M. & Tetrault, K. (2008) Occupational performance issues and predictors of dysfunction in college instrumentalists. Medical Problems of Performing Artists 23(2), 72-78.

Barton, R. & Feinberg, J. (2008) Effectiveness of an educational program in health promotion and injury prevention for freshman music majors. Medical Problems of Performing Artists 23(2),

Barton, R. (2004) The aging musician, Work, 22(2), 131-138.

Butler, K. & Rosenkranz, K. (2006) Focal hand dystonia affecting musicians. Part II: an overview of current rehabilitative treatment techniques. British Journal of Hand Therapy, Autumn, 11(3), 79-87.

Guptill, C., Zaza, C., & Paul, S. (2000) An occupational study of physical playing-related injuries in college music students. Medical Problems of Performing Artists, Jun, 15(2), 86-90.

McCready, S. & Reid, D. (2007) The experience of occupational disruption among student musicians. Medical Problems of Performing Artists. Dec 22(4), 140-146.

Park, A., Guptill, C. & Sumsion, T. (2007) Why music majors pursue music despite the risk of playing-related injuries. Medical Problems of Performing Artists. Sep 22(3), 89-96.

Price-Lackey, P. & Cashman, J. (1996) Jenny's story: Reinventing oneself through occupation and narrative configuration. The American Journal of Occupational Therapy, Apr, 50(4), 306-314.

Torres-Russotto, D. & Perimutter, J. (2008) Focal dystonias of the hand and upper-extremity. The Journal of Hand Surgery, Nov, 33(9), 1657-1658.

COLLABORATION OF OCCUPATIONAL THERAPISTS WITH OTHER PROFESSIONS

References

Copley, J.A., Allison, H.D., Hill, A.E., Moran, M.C., Tait, J.A. & Day, T. (2007) Making interprofessional education real: A university clinic model, Australian Health Review. Aug, 31(3), 351-357.

Daykin, N., McClean, S. & Bunt, L. (2007) Creativity, identity and healing: Participants' accounts of music therapy in cancer care. An Interdisciplinary Journal for the Social Study of Health, Illness & Medicine, Jul, 11(3), 349-370.

Nelson, D.L., Anderson, V.G., & Gonzales, A.D. (1984). Music activities as therapy for children with autism and other pervasive developmental disorders. Journal of Music Therapy, 21(3), 100-116.

Paul, S. & Ramsey, D. (2000). Music therapy in physical medicine and rehabilitation. Australian Occupational Therapy Journal, 47(3), 111-118.

Proctor S. & Bradfield S. (1999) OTs are from Venus, music therapists are from Mars. Therapy Weekly, Sep 30, 26(14), 7.


COMMUNITY-BASED REHABILITATION

References

Goddard, T. (2005) The isue is: Expanding the community role for occupational therapy: Becoming political in the corporate sector. The American Journal of Occupational Therapy, March/April, 59(2), 225-230.

Kronenberg, F. & Pollard, N. (eds) (2005) Occupational therapy without borders: Learning from the spirit of survivors. Elsevier/Churchill Livingstone, Edinburgh.

Pollard, N., Sakellariou, D. & Kronenberg, F. (eds) (2009) A political practice of occupational therapy. Elsevier: Edinburgh.

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Article written and reference list compiled by Sandra Kirkwood 12 November, 2008; updated 24 March, 2010.

© Sandra Kirkwood, 2010
 
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